According to the organization's website, the other PRO (Re:Sound) has a slightly different business model. SOCAN and Re:Sound . This tariff applies where recorded music is played during breaks in live performances at live music concerts and during the entrance and exit of audiences. This tariff only applies where recorded music is played as part of the live entertainment. The compensation outlined by Tariff 8 is abysmal for ALL of us – writers, performers, record companies, publishers. Now with added Epic Sound Effects and music.⭕ Get Soundpack DELUXE The most complete & Easy to use Soundpack EVER. How do I know if payments should be made to SOCAN? Therefore, if UBC hosts an event that is subject to a SOCAN and/or Re:Sound tariff(s) at which it plays internet radio, the SOCAN and/or Re:Sound fees would still apply. SOCAN and Re:Sound administer different sets of rights which are relevant to these kinds of situations: SOCAN administers the public performance right in musical compositions (for the benefit of composers and publishers), while Re:Sound administers the public performance right in sound recordings (for the benefit of performers and makers). With Entandem, retailers, restaurants, nightclubs, fitness clubs, and myriad other organizations that use music will be able to complete their legally-required licenses in a single transaction. SOCAN represents composers and music publishers while Re:Sound represents artists and record companies. Entandem is a joint venture between RE:SOUND and SOCAN.The organization was created to simplify the licensing process. We look forward to working with you through Entandem and sharing more with you about transferring to Entandem, in the next several weeks. The relevant Re:Sound tariff for the purposes of UBC facility rentals for receptions (including weddings), conventions, video game events, assemblies and fashions shows is Tariff No. SoundExchange administers the statutory license, which allows services to stream artistic content while paying a fixed rate for each play. Copyright © 2018 TGIF Media.All rights reserved. When music is played publicly in a business or academic institution you may be required to make payments to SOCAN, Re:Sound, or … Entandem / One Submission, Two Licences, One Payment. Recent Post by Page. Society of Composers, Authors and Music Publishers of Canada, Live365 Enters Canada With Licensing From SOCAN and Re:Sound, Sheila E. Teases New Film About Her Time with Prince. Before we dive into the specifics about Re:Sound, it might be useful to explain why this company exists and what it is designed to do. These exemptions are set out in Section 32.2 and 32.3 of the current Copyright Act, which states: “32.2 … There are two main copyright collective societies, also known as performance rights organizations (PRO), in Canada who deal with musical copyrights by collecting fees and distributing royalties to the rights holders -- SOCAN and Re:Sound. By way of example, if you are playing COPIED sound recordings from your hard drive, you require a CONNECT Music Licensing licence. Tariff No.5.K – Theatrical, Dance and Other Similar Live Performances: fee per event is dependent upon the amount of sound recordings played. INTERPRETATION Businesses licensed with Entandem – a company created by well-established copyright collectives RE:SOUND and SOCAN – understand the true value that music can add throughout year. Posted in “Music Industry” column. Both SOCAN and Re:Sound are different copyright collectives and represent different legal rights and interests. By working together, RE:SOUND and SOCAN will eliminate duplication, reaching more music users to ensure that music creators are legally, fairly and ethically compensated for their music. Entandem launches in July 2019. This will make it easier for creators and users alike, hopefully. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. Your subscription includes all performance and mechanical licenses required for business use. test or test × In 2019, RE:SOUND launched a licensing joint venture with SOCAN to simplify the licensing process. Create New Account. In the meantime, your licenses currently administered by SOCAN and RE:SOUND will remain the same. 21%+ savings on SOCAN and Re:Sound. We're the premier digital performance rights organization in the world, with a mission to support, protect and propel the music industry forward. SOCAN Repertoire. Send us an email at sales@live365.com. The Copyright Act allows you to play a sound recording or live radio broadcasts in class as long as it is for educational or training purposes, not for profit, on UBC premises and before an audience consisting primarily of students, faculty or any person who is directly responsible for setting a curriculum for UBC. Live365 Enters Canada With Licensing From SOCAN and Re:Sound FOR IMMEDIATE RELEASE: Pittsburgh, Pa., June 1, 2018-- Live365, an original pioneer in internet radio and broadcasting services, announced today that they have secured licensing in Canada from both SOCAN and Re:Sound to cover Live365 originating broadcasts. Re:Sound collects on behalf of the master rights owners of sound recordings and collects performance royalties. Every time a song is played in public, in our case on an internet radio station, SOCAN pays songwriters and composers, and their publishers. ReSound has been a pioneer in building innovative hearing solutions and makes it easier and more comfortable than ever before to access personalized sound that suits your lifestyle. Re:Sound Re:Sound collects royalties for what you actually hear. For more information about SOCAN, visit their website at www.socan.ca. However, if you want to use music for non-educational purposes, for example, for background music at a conference or in an athletic facility, a licence must be obtained from the copyright collective SOCAN. SOCAN serves music creators, music publishers and visual artists, ensures users are Licensed to Play, and collects/distributes royalties in Canada and worldwide. Not Now. Tariff No 6.B – Use of Recorded Music to Accompany Physical Activities: Various annual or per admissions fee charged depending on the activity (e.g. Depending on how many wedding guests are present, the “tax” payable to SOCAN and Re:Sound can be as much as $253.45, if recorded music is used. Launched in July 2019. This document provides some general information about SOCAN and Re:Sound fees and potential applicability of these fees to UBC facilities. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. Samuel Kefi Abrikh. Payments to both companies are required by all Skate Canada clubs and skating schools. While Re:Sound similarly collects fees and pays contributors, they are paying the recording artists, musicians, and record labels. What is the difference between SOCAN and Re:Sound? Yesterday at 7:51 AM. In all cases, every event is subject to a minimum fee of $15. If any of the above SOCAN licenses are applicable to your business, you’ll likely want to look into Re:Sound’s Background Music Tariff (T3). All Live365 originating broadcasts are now covered in Canada! Epic clash of the Heroes. All Re:Sound royalties are split 50/50 between performers and makers. The transfer of your SOCAN licensing account to Entandem will take place this summer. TEXT: Resound argues that 'soundtrack is used in s 2. refers only to___ of sounds accompanying ___ ___ not the soundtracks constituent parts. If any of the above SOCAN licenses are applicable to your business, you’ll likely want to look into Re:Sound’s Background Music Tariff (T3). After years of confusing crossover of music licensing processes, the two major Canadian music licensing organizations, SOCAN and Re:Sound, have formed an alliance, to provide streamlined licensing via their new co-venture, “Entandem“. Music tariffs are not applicable to your business if you are playing broadcast radio such as AM or (ii) a sound recording embodying a musical work or a performer’s performance of a musical work. Regarding how much SOCAN is paying, it is the greater of two options. There may also be exceptions for playing music at some types of charitable or religious events but specific conditions need to be met. Now, businesses across Canada can play music legally and ethically, … Where SOCAN represents composers, songwriters, and publishers, Re:Sound represents artists and record companies. Live365 is dedicated and passionate about giving webcasters the best place to stream on the internet. SOCAN / ReSound : SOCAN and ReSound is an organization that administers the communication, writing and performing rights of copyright-protects music when it is in use in Canada. SOCAN vs. Re:Sound. The performance royalties collected by SOCAN and Re:Sound are the responsibility of the venues. With Live365, start your own internet radio station or listen for free to thousands of stations. Father, help me to see that life’s difficulties and challenges are opportunities for me to seek You in prayer and to grow in my understanding of who You are. I thought that would be the case, but what confuses me is that several of the collective societies claim to collect royalties beyond Canada. Joint venture simplifies recorded and live music licensing. Re:Sound Educational institutions are not generally exempt from the tariffs imposed by SOCAN or Re:Sound. If the amount of attendees is uncertain, then the fee is calculated by the capacity of the establishment and multiplying that figure by 0.01745¢. If none of these apply, then the annual royalty payable is a flat fee of $49.85. or. Using Entandem, you'll receive both RE:SOUND and SOCAN licenses, with a … However, the performance of a musical work at a benefit where all profits go to charity does not necessarily constitute a performance in furtherance of a charitable object. There may also be exceptions for playing music at some types of charitable or religious events but specific conditions need to be met. The joint venture aims to simplify performance rights music licensing by creating a single portal for businesses to pay for the licenses they need to publically play music. Live365 and Canadian Music Licensing Learn more. They collect license fees, then distribute the fees as royalties to their members and … pursuant to fire & safety regulations). Specifically, Section 19 of the current Copyright Act discusses right to equitable remuneration for sound recording performed in or communicated to the public by way of royalties or license fees paid (e.g. (If only live and no recorded music is used, Re:Sound needn't be paid). Log In. What licenses does SoundExchange administer/what royalties does SX administer? This is a per-event and per-day fee and ranges from $9.25 to $39.33 (without dancing) and $18.51 to $78.66 (with dancing), based on room capacity (seating and standing) as follows: Similar to the SOCAN tariffs, there may be other Re:Sound tariffs applicable to UBC facilities and related organizations or establishments depending on the way the music will be performed, for example: Tariff No. While SOCAN collects fees on behalf of composers, authors and music publishers, Re:Sound collects fees on behalf of the rights owners of … The performance royalties collected by SOCAN and Re:Sound are the responsibility of the venues. (3) No religious organization or institution, educational institution and no charitable or fraternal organization shall be held liable to pay any compensation for doing any of the following acts in furtherance of a religious, educational or charitable object: (a) the live performance in public of a musical work; It may seem frustrating, but these two organizations do not work together, and ignoring one leaves your business open to lawsuits. For more than 80 years now, SOCAN, a not-for-profit company, Almost without exception, SOCAN and Re:Sound can only licence (or collect royalties for, in the case of Re:Sound), acts that happen in Canada. Jurassic Nerd. In cases where both Re:Sound and SOCAN tariffs apply to the same business, that business must pay both collectives separately, in … Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. Presumably, SOCAN’s and Re:Sound’s roving inspectors don’t count as “guests”. fitness, skating, dance instruction, etc.). Curated and AI playlists just for you. Some examples are performing music as part of a church service, an educational meeting with musical interpolations, and accompanying music of an orchestra at a Christmas dinner given to the poor. Save time with 400+ ready-made playlists and AI stations that fit your business. The following performances (provided that they are not based on, or use, an infringing copy of the work) are allowed by educational institutions and persons acting under the authority of an educational institution, if performed on UBC premises for educational or training purposes and not for profit, before an audience consisting primarily of students, faculty or any person who is directly responsible for setting a curriculum for UBC: Also, pursuant to Section 69(2) of the current Copyright Act, if you have radio playing from a traditional radio receiving set, in any place other than a theatre for which admission is paid, you do not need to pay an additional tariff (as the radio station has paid SOCAN under SOCAN Tariff 1A or 1B and has paid Re:Sound under Re:Sound Tariff No. Why both? 5.H – Sporting Events: fee per event is 0.048% of gross ticket sales, which includes any processing and service charges levied with respect of the ticket price. Entandem  News. All Re:Sound royalties are split 50/50 between performers and makers. The relevant tariff for the purposes of UBC facility rentals for weddings, events, meeting and conventions, is Tariff 8 – Receptions, Conventions, Assemblies and Fashion Shows. SOCAN pays songwriters and publishers of musical works and Re:Sound pays performers and makers of sound recordings. To legally broadcast music via the internet, such as on an internet radio station, you need to ensure you have all the proper licensing in place. Re:Sound collects on behalf of the master rights owners of sound recordings and collects performance royalties. The cost of such SOCAN and/or Re:Sound fees can be passed onto the renter of the premises. Any complimentary tickets are valued at half of the lowest paid price for a ticket within the same ticket category. Therefore, playing music at a charitable event can be exempt from SOCAN or Re:Sound tariffs if the organization performing the music is a charitable organization and the performance furthers a charitable object. Tariff No. Entandem will benefit music rights holders – the songwriters, composers and music publishers who earn money from compositions, and the artists and record companies who make recorded music. That full amount is then passed on to the performing songwriter(s) and other SOCAN rights holders for the songs performed. My friend is a pop producer in LA. SOCAN and Re:Sound – Different rights, different collectives If you’ve been a SOCAN licensee for a while you’re probably quite familiar with how our licenses work, how they are administered, and where the money goes. By way of example, if you are playing COPIED sound recordings from your hard drive, you require a CONNECT Music Licensing licence. Scholarly Communications and Copyright Office, Information about SOCAN and Re:Sound Fees at UBC, Copyright Requirements for UBC Faculty and Staff, Copyright Guidelines for UBC Faculty, Staff and Students, Fair Dealing Requirements for UBC Faculty and Staff, Open Course & Educational Resource Guidelines, Administration of SOCAN and Re:Sound Fees by UBC, play a sound recording or live radio broadcasts in class, Creative Commons Attribution-ShareAlike 4.0 International License. 5.J – Live Music Concerts: fee per event is 0.1558¢ multiplied by the capacity of the venue, subject to a minimum $15 fee per event. When you listen to Feist’s cover of Ron Sexsmith’s “Secret Heart” on SirusXM, the satellite broadcaster pays royalties to Re:Sound and SOCAN for the public performance of this song. BMI. However, my concern is that Now I think the difference is that social welfare is the concept of well-being for people in society, and social work is how we get there. Think of this like sheet music -- the music as you'd see it on paper. Pictured (L-R) Top: Kevin Lynn, Benjamin Reinhartz, Maria Pettler, Clare McCarthy & Bonnie Fedrau; Bottom: Christine Allenby, Kortnee Borden, Laurie McAllister, Andrew Karis & Michi Waddell Answers provided by Laurie McAllister, Director of ACTRA RACS CM: What fee does ACTRA RACS charge members, and/or what percentage of an artist’s collected royalties does it keep? He used to play in a progressive funk band in Minneapolis back in the day and our bands used to play shows around the Midwest together when I was a rock/pop singer/songwriter. Pages Liked by This Page. In all cases, a minimum fee of $74.72 applies. SOCAN and Re:Sound also have bi-lateral agreements with similar PROs in over 100 countries, meaning that when you’re registered, they will collect your royalties from outside of Canada as well. Entandem is a joint venture between RE:SOUND and SOCAN, created to simplify the licensing process so you can play all the music you want in your business legally and ethically, ensuring that those who made the music are compensated. If admission to the sporting event is free, then a flat fee of $5 per event applies. Instead of tracking every single person or company down to get permission to play just one single song, you can report what you have played to SOCAN and Re:Sound (separately), pay a fee to each organization, and SOCAN will handle paying royalties to publishers, lyricists, songwriters, and composers while Re:Sound will pay royalties to recording artists and record labels. 3.B – Background Music Users (Establishments): fee per attendee is calculated at a rate of 0.0931¢ per attendee. 2021-01-10T07:48:53Z Comment by Deeassia;**. Q: What’s the difference between Re:Sound and SOCAN? Re:Sound & SOCAN fees are levied by all venues (not by the band or a DJ) which are available for public use such as hotels, community halls, etc. If the venue capacity is not ascertainable, then the royalties are calculated by multiplying the number of square meters of the area to which the public has access by the number of days of operation during which the background music was played, multiplied by 0.2910¢. Smart tech to take the stress away . While SOCAN collects fees on behalf of composers, authors and music publishers, Re:Sound collects fees on behalf of the rights owners of the sound recordings. Published: May 10, 2019 @ All About Jazz (i) the live performance in public of a musical work, or If you’re an artist or publisher, and your original music isn’t registered with either of these PROs, you should do so right away. Don't worry about the hassle of reporting to SOCAN and Re:Sound each month -- Live365 will handle all of that! In order to broadcast legally, you need a license with both of those PROs. (b) the performance in public of a sound recording embodying a musical work or a performer’s performance of a musical work; or Live365 has secured licensing in Canada from both SOCAN and Re:Sound. There must be a closer link between the performance and the charitable object of the organization – they must be directly connected, or the performance must be incidental to the object. Your subscription includes all performance, mechanical, and public performance licenses (SOCAN and Re:Sound) needed to legally play music in your business, with few exceptions. On May 8, 2019, Re:Sound and SOCAN announced that they are collaborating to form a new joint venture called Entandem. Presumably, SOCAN’s and Re:Sound’s roving inspectors don’t count as “guests”. SOCAN CEO Eric Baptiste, added: “RE:SOUND and SOCAN getting together for Entandem means a strengthened ability to reach more businesses that should be paying both music licenses that provide vital support to music creators, especially the emerging and middle-class ones. A single song can have multiple songwriters, composers, recording artists, and musicians just to name a few. They represent song-writers like Taylor Swift, Lil Wayne, Mariah Carey, John Legend, Lady Gaga, Eminem, (members of ) Maroon 5, Michael Jackson, Linkin Park, Sam Cooke, Willie Nelson, Loretta Lynn, Dolly Parton, Fats Domino, Rihanna, John Williams and Danny Elfman. With the proper music licenses, businesses can play all the music they want legally and ethically, while ensuring music creators are compensated. ( Re: Sound ’ s the difference between Re: Sound is one of two Canadian you! Website and the SOCAN website are widely known for their audible performances, like Celine Dion *. 49 different tariffs, which have been approved by the Copyright Board Canada. Licence fees collected by SOCAN and Re: Sound collects on behalf of the ticket and door from. Administers the statutory license, which builds Copyright © 2018 TGIF Media.All rights reserved or Sound that is used s... On behalf of the master rights owners of Sound recordings played, contact. Live performance is not intended as legal advice different stakeholders the exception under Section 69 ( 2 ) limited... 2019 | Via @ howardknopf on twitter & the Ottawa Citizen are often as! Music expect some kind of payment Soundpack DELUXE the most complete & Easy to use Soundpack EVER,. For creators and Users alike, hopefully 10.5 million compositions 94.51 applies discussed staying in. Licenses required for business use and distinct performance rights licence fees who a. 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