I never knew what pretense Salem was, I never knew the lying lessons I was taught by all these Christian women and their covenanted men! In his 1953 play The Crucible, playwright Arthur Miller employs a fictionalized account of Massachusetts Bay colonists accused of witchcraft in 1692 as a metaphor for government persecution of suspected communists during the mid-20th century.Explore a character analysis of John Proctor, plot summary, and important quotes. Answered by Aslan on 9/16/2011 9:21 PM (adsbygoogle = window.adsbygoogle || []).push({}); We're not around right now. The Crucible and The Dressmaker. The deterioration of Trudy throughout the rehearsals seems fitting but nonetheless is a jarring incident to occur to someone so young and over something as trivial as a county play; but connections can be drawn between the ‘screeching and pounding’ (Part 4) Trudy who claims that the glory is ‘MINE, MINE’ (Part 4) and the heinous Lady Macbeth, the character Trudy was originally intended to portray in the play. Examples Of Fear In The Crucible 902 Words | 4 Pages. Despite Teddy teasing Tilly that ‘I’m [he’s] the one that should be frightened of you [her]’ (Part 1), Tilly’s notion that bad luck follows her is cemented as the residents of Dungatar begin dying and Tilly fears their wrath more than ever when Teddy passes and irrespective of Farrat’s attempts to re direct the blame, Tilly is in their sights – ‘Tilly feared football defeat would send the people to her, that they would spill wet and dripping from the gateway of the oval to stream up The Hill with clenched fists for revenge blood.’ (Part 4), Edward always remembered the look on Evan’s face at that moment… when he realised fully what it all meant, what it had come to. The ‘great stones’ (Act 4) that were placed upon his chest are metaphoric of the weight of ‘stand[ing] mute’ (Act 4) and lying in order to save others. At the start of The Crucible Betty Paris is very ill, and Abigail is about to be accused of cursing her in the woods. Giles Corey’s death, victimised by society. Fear/Mass Hysteria. Her reputation as a woman that ‘cannot lie’ (Act 3) sees her and her husband arrested and Abby set free, in a monstrous display of the inefficacy of the justice system. Compare how The Crucible and The Dressmaker explore he issues of victimisation and blame. Concern for reputation is a theme that looms large over most of the events in The Crucible. The deposition signed by many that the women (Martha Corey, Rebecca Nurse and Elizabeth Proctor) are women of good character is not only unheeded by Danforth but he issues warrants for each of the signatures, dismissing the argument that ‘so many of the women have lived with such upright reputations’ (Act 3) in favour of accumulating more suspects. Mary Warren describes the classic onset of symptoms that mark her first hysterical episode in court: ‘a misty coldness’ (Act 2), crawling flesh, a choking sensation, dissociation, ‘a screaming voice’ (Act 2) and then the realisation that the voice was her own. The hysteria has gripped the town entirely and Hale notes that there are ‘orphans wandering from house to house, abandoned cattle bellow on the highroads, the stink of rotting crops hangs everywhere…’ (Act 4); Salem is in disarray and the last remaining few that possess logic and sense are set to be executed that very morning. By elucidating the ways in which outcasts are victimised in times of crisis, Ham and Miller propel the readership to sympathise with marginalised individuals of Dungatar and Salem. Start studying Dressmaker & Crucible. But it seems there’s a lesson for those that meddle and judge others – when Beula Harridene sneaks up to The Hill and overhears Tilly and Farrat drunkenly singing about their woes she is hit by a radiogram that Tilly throws out in her stupor and the wound festers in her face, becoming a ‘raw flesh cavity’ (Part 4) that oozes, a fitting symbol indicative of what happens to those that judge others unfairly. Ruth stood by her electric kettle steaming open a fat letter addressed to Tilly Dunnage. In the Arthur Miller play, 'The Crucible,' fear runs rampant through Salem, Massachusetts, resulting in unreasonable accusations and ridiculous behavior. The plays numerous characters and relationships provide a … People must conform to societal expectations in The Crucible and The Dressmaker. Ironically, the only lie Elizabeth has ever told condemned the man she was trying to protect. However, while characters in The Crucible are inclined to harm others out of fear, characters in The Dressmaker often victimise others out of personal bias and bigotry. But you can send us an email and we'll get back to you, asap. Though actions are often motivated by fear and desires for power and revenge, they are also propped up by underlying worries about how a loss of reputation will negatively affect characters' lives. The animalistic association is also included as Ham courageously addresses the theme of sex within the novel. Mary Warren is good in nature as she does attempt to do what she believes as righteous by admitting that what Abigail and the girls do “[were] pretense” despite her extreme fear of Abigail. Human Flaws in Arthur Miller's The Crucible Many of the characters in Arthur Miller's The Crucible have specific human flaws that cause the tragedy of the Salem Witch Trials. . He, like Mary Warren in the earlier court scene, wrestles with inner conflict – a moral conundrum that sees their truths condemning them to hang but their lies saving them. Quotes. In The Crucible, Tituba represents women and people of the lower echelon of society who ultimately become victim to Abigail’s false accusations; her vulnerability has the effect of magnifying the exploitative and malevolent nature of Abigail and, to some extent, the broader Salem community in this time of crisis. In juxtaposition to Lesley and Mona, and William and Gertrude, whose partnerships were a result of succumbing to the pressures of society, Tilly and Teddy share a deep and real love. Elizabeth acknowledges the truth that John judges himself in his actions more then any other and this can be seen in the little respect he has for himself. I have not moved from there to there without I think to please you, and still an everlasting funeral marches round your heart. It is a natural human instinct shared by many other living creatures, to belong to a group, herd or tribe of some kind. Argument 2: Characters often scapegoat others. When Francis Nurse refuses to believe John’s confession of having an affair with Abby, Proctor ‘wish[es] you [Francis] had some evil in you [him] that you [he] might know me [him]’ (Act 3) for the man that he truly is and has kept secret for seven months gone. Characters. From this, we can see that it is his single motive that he should hunt down all those that are afflicted and not ‘flounder’ (Act 4) in his quest for them. Abigail Williams… is there any truth in this?’ (Danforth questions Abby one final time) Act 3, ‘Let him [Proctor] give his lie. The justice that the supreme government of the province intends for the citizens of Salem is a ‘hot fire [here]…[that] melts down all concealment’ (Act 3) and his solution to the situation in Act 4 is to place pressure on the weakest person and break a confession from them, tells us that he (representative of the judicial system) has lost his way and in an effort to protect himself, will damn the prisoners regardless – ‘which of these in your [Parris] opinion may be brought to God? Despite the lack of geographical connection between Dungatar and Salem, the two texts are starkly similar, both explicating how non-conformists are victimised by society, though there is a greater emphasis on the victimisation of outcasts in the novel than there is in the play. “See her? Danforth is a constant reminder throughout the text of the vast quest Puritans undertook in order to expose the lies within their community when he observes the witch-trials have unearthed a ‘precise time’ (Act 3) where the townsfolk are no longer ‘in the dusky afternoon when evil mixed itself with good and befuddled the world’ (Act 3); Salem has moved under the eye of the Puritan men that would see it cleansed. Discuss how The Crucible and The Dressmaker use textual features to convey the author’s perspective. Tituba is the minority in Salem. 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